Different components of book cover designs through history
Different components of book cover designs through history
Blog Article
Although we might like to claim that it is not the case, books are undoubtedly evaluated by their covers.
When you actually consider it, it is rather amazing that a book's cover, no matter how stunning it is, manages to stand so eloquently for something that is practically the total antithesis of its art format-- writing in black and white. In fact, book covers have been created to reflect the emotional state of a book and interest its intended audience ever since the start of large scale publishing in the Victorian Age. Artists were entrusted with discovering what makes a good book cover for specific individuals, or in other words, marketing. Individuals like the CEO of the asset manager that has a stake in Amazon can probably value the function of marketing in designing book covers.
When we buy a book it ends up being something really personal to us. It can in some cases be weird seeing a book you love with another book cover, just due to the fact that it is not your book. This personalisation, and indeed ownership, of books was at a totally various level at the genesis of the age of printing, with book covers being developed by the owners themselves, and what they believed would be the best books covers for the book. They would buy the book itself from the printer wrapped in paper, then take it to a binder who would bring in the covers to the customer's specifications. This typically indicated being outfitted in leather and after that engraved with the name of the book, and, generally, the name of the book's owner. Individuals like the co-founder of the impact investor with a stake in World of Books can most likely value the ownership that people come to feel in regards to their books.
We like checking out books since they are really lovely things. This is true, but the nature of beauty that we may be speaking about is certainly separate to what we might be speaking about if we were speaking about, for example, the visual arts. Or is it? For as long as we have actually had books we have decorated them with beautiful book cover designs that attempt to mirror the beauty of what is inside. This dates back for as long as the codex itself has been around, with medieval monks, those charged with the security and proliferation of the scarce texts that might still be found, ornamenting each hand composed text with remarkably abundant and lovely designs. In fact, such was the beauty held within these books that many of these creative book cover designs were carved into ivory or solid gold, studded with gems, and inlaid with rivers of precious metals. People like the co-CEO of the hedge fund that owns Waterstones can probably appreciate the way that the beauty of these book covers was created to match the beauty within the book.